The full title of this collection is "Winter Morning Walks: 100 Postcards to Jim Harrison."
Each poem is titled with a date. Each poem starts with a short reference to the weather, like a diary entry. Each poem is created from the raw material of a morning walk (often pre-dawn or just as dawn begins or in his home just after the walk). In this way it's like all of the "art projects" that I like -- 100 days, create a poem postcard from what I see and think on a morning walk.
It always starts with a specific description of nature. And the kernel of the poem grows organically from that closely observed nature. This one, for instance, includes specific observation followed by a single sentence of reflection.
It feels like haiku in spirit. There's specific seasonality to it. And it works under the impression that everyday there is a poem waiting for us to write. The poem is not inside your brain, waiting to be birthed, but is a reaction to closely observed nature. The idea is that you go for a walk, observe, be open, describe things. Then make something of it. Make something of the day. This is not too different than when I wrote my 10 haikus in 10 days following 10 observations.
Jazz composer Maria Schneider turned 25 of the poems in this collection into a song cycle, written for the opera singer Dawn Upshaw.
Here's his website that I'd like to dig into.

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